犀牛
Rhinoceros
同大自然的其它动物相比，人类是种缺陷的存在，他不够强壮也不够迅捷，不够庞然大物也不够袖珍，落入角斗场，不会是野兽的对手；人类还是盗贼的后代，所以能活到现在，是靠偷动物的技术，偷鸟的翅膀、偷鱼的鳍，偷犀牛的皮肤和角，但如果人类彻底变成犀牛——这种单纯而又强壮的草食动物，那究竟是童话抑或噩梦？
尤涅斯库的《犀牛》写下资本主义社会终将导致世界末日的预言，而这版《犀牛》想要探讨疫情后人类是否还能同自然和解？病毒肆虐使人类自绝于世，只有卧室的计算机荧幕是安全的，网络媒体将疫情期间的“苦中作乐”变成了可供消遣观赏的短视频，人类像在观察动物一样观察极端情境下的自己，每一栋建筑、每一扇窗户甚至每一座城市都成了巨大的“人类动物园”，园中蔓延的“犀牛病”并非来源于遥远的外界，而是人类自身的纠错机制和重建世界的免疫系统。或许，退化为“犀牛”的都市传说提供给我们的是反思人类进化发展的机会——灾难面前，人类无比渺小，需唤醒我们久违的敬畏之情。
Compared with other animals in nature, the existence of human beings is a defect. They are not enough strong or fast and are not enough big or small. They will not match for wild animals if put into the arena. Human beings are also descendants of thieves, so they can live to the present by stealing technologies of animals, wings of birds, fins of fish, and skin and horns of rhinoceros. But if human beings completely become rhinoceros—a simple and strong herbivore, would it be a fairy tale or a nightmare?
It was written in Eugene Ionesco’s “Rhinoceros” the prophecy that capitalist society will eventually lead to the end of the world, and the “Rhinoceros” in this edition wants to explore whether human beings can reconcile with nature after the epidemic. The ravage of viruses makes mankind isolated from all over the world, and only the computer screen in the bedroom is safe. The network media turned “having fun during the bitter epidemic period” into a short video for recreation. Human beings observe themselves in extreme situations like observing animals. Every building, window, and even every city has turned out to be a huge “human zoo”. The “rhinoceros disease” spreading in the park does not come from the distant outside world but from human's own mechanism for correcting errors and the immunity of rebuilding the world. Perhaps, the urban legend degenerated into “rhinoceros” provides us with the opportunity to reflect on the human beings’ evolution and development—Human beings were extremely small when facing the disaster, which our long-lost awe needs to awaken.
编剧：[法]尤金·尤涅斯库
导演：孙晓星
联合导演：黎凌薇，刘湲清，岑京璟，王靖熠
舞美设计：石瀛之，郎语辰，黄淑帆，魏煜湘
表演：乔玉新，裴云旭，杨阳，王文妍，刘适辰，崔茂宇，张紫琪，韩泽中，刘湲清，李海明，刘乐婧，高艺桐，王靖熠，孟成真，邢卫业
作曲：郭祥韵
编舞：刘乐婧
影像设计：于博柔，刘湲清，郎语辰
Playwright: Eugene lonesco
Director: Sun Xiaoxing
Co-directors: Li Lingwei, Liu Yuanqing, Cen Jingjing, Wang Jingyi
Scenographers: Shi Yingzhi, Lang Yuchen, Huang Shufan, Wei Yuxiang
Performers: Qiao Yuxin, Pei Yunxu, Yang Yang, Wang Wenyan, Liu Shichen, Cui Maoyu, Zhang Ziqi, Han Zezhong, Liu Yunqing, Li Haiming, Liu lejing, Gao Yitong, Wang Jingyi, Meng Chengzhen, Xing Weiye
Composer: Guo Xiangyun
Choreographer: Liu Lejing
Video Designers: Yu borou, Liu Yuanqing, Lang Yuchen
演出经历：
2020 北京舞蹈学院黑匣子剧场 北京
2021 北京舞蹈学院黑匣子剧场 北京
2021 第十五届拉古纳国际艺术奖入围展 军械库 威尼斯
Previous performances:
2020, Beijing Dance Academy Black Box Theatre, Beijing.
2021, Beijing Dance Academy Black Box Theatre, Beijing.
2021, The 15th Arte Laguna Prize Finalists Exhibition, Arsenale Nord, Venice.