集美门
MEHOTEL
净手池
Hand Washing Sink
使用说明:
1.在进入集美门之前，请将双手放入净手池淘洗。
2.抽取一枚快币，许愿，因为这也是一个许愿池。
3.将快币带入集美门观看所有展品。
4.将快币贴在其中最喜欢的展品的底座上，进行打赏。
5.您将成为展品的其中一名定价者。
Instructions for use:
1. Please put your hand in the washing sink before entering Mehotel.
2. Pick a Kwai coin and make a wish, as the sink is also a wishing pond.
3. Come in and take a full journey through the exhibits with the Kwai coin.
4. Stick your Kwai coin onto the pedestal of your favorite exhibit as a reward.
5. You will be one of the price-makers of the exhibits.
鬼火（摩托车）
RSZ
原型是中国台湾三叶雅马哈的一款小型踏板车，如今广泛指经过改装后的机车，动力更为强劲，外形更加拉风，叛逆的鬼火少年们夜深驾驶鬼火“炸街”，渲染了街头的恐怖氛围。
The term initially is the model name of a small scooter made by Sanye Yamaha in Taiwan, China, and now refers to a wider range of modified motorcycle, with updated powerful engine and exaggerated appearance. The rebellious RSZ teenagers "blast the street" at midnight with their RSZ bike, creating a horror atmosphere over the streets.
啤酒浇头
Beer Pouring on the Head
电影中时常会出现啤酒瓶爆头（自爆）的情节，这一行为对敌人不造成任何物理伤害，而是对自己，但它是一种极具气势的强烈宣誓，意味着敌人的伤害无法真正伤害自己。近年来，这种老派的带有暴力色彩的行为表达逐渐式微。但啤酒作为一种强烈的道具，在快手上以浇头的形式复兴，人们在伤心欲绝之时，用啤酒从头顶喷洒、浇灌全身。它表达的情绪通常是痛彻心扉，以及对这种心情的洗礼。
Hitting oneself on the head with a beer bottle is a common plot in films. This behavior causes no physical damage to the enemy but only harm oneself. However, it is a very imposing and strong statement, claiming that one cannot be actually hurt by the enemy's damage. In recent years, this old-school violent expression has gradually declined. Yet beer as a powerful prop, is revived in the form of pouring on the head in Kwai. When people are heartbroken, they pour beer from the top down their bodies. The action expresses deep grief, and a baptism of this mood.
监控鸽
Monitoring Pigeon
看果园、看养殖场、看工地、看家护院、防丢、防偷，工作中的监控摄像头被手机摄像头拍摄录像上传至快手，成了一台被监控的监控，它总与鸽子组合Partner，扮演着守望者的角色。
Watching orchards, farms, construction sites, nursing homes, anti-lost and anti-theft, these surveillance camera at work are filmed by phone cameras and uploaded to Kwai. Thus, they become monitored monitors. It is always partnered with pigeons, playing the role of a watcher.
水泥
Cement
现代主义建筑师钟爱用水泥进行表达。因为它又回归了古希腊建筑中大理石浑然一体的神圣，并且它又是平民的、公平的，因为它是人工、廉价、可复制的。在快手中，我们可以看到大量水泥的表达形式。用水泥制作各种生活用品及工艺品，用水泥做饭，乃至用水泥跳舞——伴随动感的音乐，随时随地从口袋中抛洒水泥，水泥随着自由的舞步不断扬起，地面也变成蓬松柔软的绝佳舞池，它可能起源于工地，发明自葬爱家族。
Modernist architects love to express their ideas in cement, because it returns to the same sacredness as marble does in ancient Greek architecture, which represents civilian and fair. Cement also stands for artificial, cheap, and reproducible. In Kwai, a large number of expressions of cement are presented. It is used to create all kinds of daily necessities and handicrafts, to cook, and even to dance - with dynamic music, the cement powder was spilled from pocket randomly, floating with the free dance, and the ground turns into a perfect stage, fluffy and soft. This dance may originate from the construction site, invented by the "Smart Family."
史莱姆
Slime
史莱姆本指一种在现代电子游戏与奇幻小说常常出现的虚构生物，最早在1958年同名小说里出现。其流行形象是一种果冻状或半液体状、身体不透明或半透明、可以变换形状、能够分裂或融合的怪物。而在网络直播与短视频中，它指的是原本用于代替花卉泥土的观赏性产品水晶泥，被主播的手反复戳、揉捏、试验、混合，发出细腻而丰富的声响。但为什么，这种声响具有莫名的使人平静与冥想的神秘力量？
Slime originally refers to a fictional creature that often appears in modern video games and fantasy novels. It first appeared in the novel of the same title in 1958. Its popular image is a monster with jelly, semi-liquid body and opaque or semi-transparent color, that can easily shape, split and merge. In live stream and short videos, it refers to crystal mud, an ornamental product that are originally used to replace flower soil. In those videos and live streams, streamers repeatedly poke, knead, test, and mix the Slime, to produce tender and diverse sound. But why, these sounds have the mysterious power of calming and meditating?
鬼步舞
Shuffle
一般指曳步舞，起源自澳大利亚墨尔本。跳舞时需要进行大量的滑步动作，原地Running是鬼步舞最基本的动作之一，讲究流畅度和肢体搭配的融合度。鬼步舞者一般有自己专门的滑底鞋，只要在瓷砖、光滑的地面上都可以轻松滑动，另外鞋底配有炫彩灯光，会使夜幕下的舞步更加华丽，于都市中残留脚下的幻影。约瑟翰·庞麦郎在《我的滑板鞋》中所描述的“在这光滑的地上摩擦”、“似魔鬼的步伐”可能便是一双梦寐以求的鬼步舞鞋。
Generally, refers to shuffling dance, originated from Melbourne, Australia. The dance contains a lot of sliding. Running in place is a basic move, requiring great smoothness and body coordination. Shuffle dancers usually have their own special sliding shoes that can easily slide on any flat tiles and smooth ground. The soles are equipped with colorful lights, which makes the dance steps under the night more splendid and leaves a phantom under the feet in the cityscape. Joseeh Punmanlon's lyrics of "rubbing on this smooth ground" and "devil-like step" in "My Skate Shoes" might be describing a pair of dream shoes.
花手
Flower Hands
社会摇、激光雨中，最为洗脑的舞蹈动作。让人们在梅兰芳的九个经典手势之后，再次感受到手指的炫目表现力乃至风靡全球。
The most captivating move in Social Shake and Laser Rain dance. After Mei Lanfang's nine classic gestures, once again the dazzling expressiveness of the fingers strikes people and even sweep the world.
章鱼爆头
Octopus Headshot
人们为什么爱看泥石流吃播与章鱼爆头？会不会与照着镜子挤脸上的痘痘具有同样快感？或者迷恋于各种脑浆飞溅的场面？
Why are people obsessed with mudslides mukbang or octopus headshots? Dose it offers the same kind of pleasure as the acne squeezing? Or brain splashing scenes?
原谅套餐
Forgiven Set Meal
“蓝色是忧郁，灰色是不想说，绿色是当然还是选择原谅她。”
近年来，绿色被网友称作原谅色，原谅的含义也被消解和变迁。主播们会用绿色惩罚自己，作为回馈粉丝的表演，例如在牙刷上涂抹原谅膏（芥末）刷牙，制作奇怪的特饮一口气喝下。
"Blue is melancholy, gray is unmentionable, green is of course she's forgiven."
In recent years, green has been called the color of forgiveness by netizens, and the meaning of forgiveness has also been dispelled and changed. The streamers punish themselves with green as a performance to serve the fans. Punishments include to apply forgiveness cream (mustard) on a toothbrush for brushing their teeth, and to bottom up a self-made strange and special drinking.
电钻玉米
Electric Drill Corn
“吃玉米的方法有好几种，把玉米粒一个一个剥下来吃，或是直接拿着一口一口啃下肚子里。然而对于懒人来说，前面几种方法太麻烦，于是有网友发明了一种超级新奇的啃玉米的方法——用电钻。准备好一根熟玉米和电钻工具，然后将电钻的一头插进玉米棒当中，打开电钻的开关后，玉米会在电钻的带动下快速旋转起来。黑衣男子在吃玉米前做好了准备，那就是紧闭双眼，随后张开血盆大口对准玉米开吃。”（引自《中国日报》）
"There are several ways to eat a corn, peeling off the corn kernels one by one to eat, or simply bite the cob. However, the traditional methods are too bothering for lazy people. Thus, some netizens invented a super novel way — using an electric drill. Prepare a cooked corn and an electric drill tool, then pierce through the corn cob with the electric drill. When the drill is turned on, the corn start rotating rapidly. The man in black got fully prepared before eating the corn, that is, to close his eyes tightly, and then to gape his mouth wide starting to eat." (Quoted from "China Daily")
告解·电钻玉米
Confession · Electric Drill Corn
电钻和玉米，这两种完全不在一个频道的生活物件是怎么搞到一起的？粗看世界，空无一物。如果反反复复地仔细观察，会发现它的陌生与完美。
How come an electric drill and a corn, two objects from daily life that are hardly seen together, get associated? Looking at the world at first glance, there is nothing. With a rough glance at the world, nothing exists. Yet with repeated and attentive observation, its strangeness and perfection get revealed.
告解·玉米诗
Confession · Corn Poem
最后，我们回到屏幕的生活中去。仔细观看玉米，仔细观看手机。也许会发现，我们对玉米和手机的依赖是以一种忽略的方式存在。
Finally, let's return to the life inside screen. Watch the corn carefully, watch the phone carefully. Perhaps the dependence on corn and mobile phones might be found existing in a neglected way.
历史上，所谓“神显”指涉神圣总以世俗的面目示人。这里是一个人为建构的展厅，也是艺术家创作的“圣殿”，截取了短视频应用“快手”中的屏幕形象和数字瞬间，诸如那些毫不相干却被组合在一起的生活道具、非日常化的肢体动作、无实际含义的语言、只以镜头为对象的情绪表达（展示创造力惊人却难以解读的内容）。艺术家重新打捞了数字洪流中被戏仿与挪用的片段，以修复文物、标本和神话的严肃姿态将它们展示、供奉，以及告解。《集美门》尝试使这些物在暂停的时间内摆脱各自的符号限制，以若干孤立的碎片拼凑出一个开放的未来体系。
The so-called "divine manifestation" means that the divine always appears to people in a secular way. This is an artificial exhibition hall and a temple, created by freezing the screen images and digital moments in "Kwai" including combinations of unrelated life props, unconventional body movements, meaningless language, emotional expressions that look only at the camera—thus re-salvaging them from the flood of destructive parody and misappropriation. We display, worship, and confess with the seriousness of restoring cultural relics, specimens, and myths. It is hoped that these objects can shed their respective symbolic restrictions in the solidified time and form an open future system through a number of isolated fragments.
共同创作：孙晓星，裘臻，赵坤方，黄思遥
Co-creators: Sun Xiaoxing, Qiu Zhen, Zhao Kunfang, Huang Siyao
展出经历：
2021 第十三届上海双年展“水体”（策展人：Andrés Jaque，Marina Otero Verzier，Lucia Pietroiusti，由宓） 上海当代艺术博物馆 上海
2021 Minute国际短片节“场所‘非’场所” A4国际驻留艺术中心 成都
Previous exhibitions:
2021, The 13th Shanghai Biennale "Bodies of Water" (Curators: Andrés Jaque, Marina Otero Verzier, Lucia Pietroiusti, You Mi), Power Station of Art, Shanghai.
2021, Minute International Short Film Festival "Places (Non) Places", A4 ARIE Art Center, Chengdu.